Garryowen
X:1
T:Garey Owen
T:Harlequin Amulet—or the Majic of Mona
C:”By Jackson of Cork”
M:6/8
L:1/8
R:Jig
B:William Campbell – “Book 16th of Strathspey Reels, Waltz’s & Irish Jigs for the
B:Harp, Piano-Forte & Violin, with their Proper Figures, as Danced at Court,
B:Bath, Williss’s, & Hanover Square Rooms” (Soho, London, 1801, pp.2-3)
F: https://vmirror.imslp.org/files/imglnks/usimg/2/2d/IMSLP655934-PMLP1052069-strathspeyreelsw00camp.pdf
Z:AK/Fiddler’s Companion
K:G
V:1
g/f/|edc BAG|B>cB Bgf|edc BAG|A>BA Agf|
edc BAG|B>cB B2d|def g2B|A>BA A2:|
|:c|(B/c/dB) (B/c/dB)|(B/c/dB) d2g|(c/d/ec) c/d/ec|(c/d/ec) e2f|
g2a b2a|g2e edB|def g2B|A>BA A2:|
V:2 clef = bass
z|G,,3G,3|G,,3G,3|G,,3G,3|D,3D,2z|
G,,3G,3|G,,3G,3|C,3B,,2G,,|D,3 D,,2:|
|:z|[G,,G,]B,D [G,,G,]B,D|[G,,G,]B,D [G,,G,]B,D|[C,G,]CE [C,G,]CE|[C,G,]CE [C,A,][C,C][D,D]|
G,3G,,3|G,3G,3|G,,3G,3|D,3D,2:|
X:1
T:Cary Owen (sic)
M:6/8
L:1/8
R:Jig
S:Gow - 2nd Repository (1802)
Z:AK/Fiddler's Companion
K:F
f|~fcB ~AGF|A>BA A2f|~fcB ~AGF|GAG G2f|
~fcB ~AGF|ABA A2d|c>de f2A|GAG G2:|
A/B/|(A/B/c)A ~c2A|c2A c2f|d2B d2B|d2B d2e|f2g {fg}a2g|f2d c2A|
cde f2A|GAG G2 A/B/|{AB}c2A {AB}c2A|{AB}c2A c2f|d2B d2B|
d2B d2e|f2g {fg}a2g|f2d c2A|cde f2A|GAG G2||
X:2
T:Cory Owen (sic)
M:6/8
L:1/8
S:Button & Whitaker's Selection of Dances, Reels, Waltzes No. 1 (undated, early 19th S:century)
Z:AK/Fiddler's Companion
K:G
g/f/ | edc BAG | B>cB Bgf | edc BAG | [F>A>][GB][FA] [F2A2]g/f/ |
edc BAG | B<cB B2d | def g2 [GB] | [F>A>][GB][FA] [F2A2] :|
|: c | B/c/dB B/c/dB | B/c/dB d2g | c/d/ec c/d/ec | c/d/ec e2f |
g2a b2a | g2e edB | def [B2g2] [GB] | [F>A>][GB][FA] [F2A2] :||
X:70
C:Page 35
T:Favourite Irish Air. MBe.70, A
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
T:Garry Owen,aka. MBe.70
M:6/8
L:1/8
Q:3/8=100
R:
N:NB-Someone has written after the title, in another hand, "Garry Owen"
K:Ador
g/f/|(edc) (BAG)|(B>cA) Bge|(edc) (BAG)|A>AA A2g/f/|
edc BAG|B>cB B2 d|cde g2 c|A>BA A2:|
|:c|(B//c//d3/2)B (B//c//d3/2)B|(B//c//d3/2)B d2 g|\
(c//d//e3/2)c (c//d//e3/2)c|(c//d//e3/2)c e2 f|
g2 a b2 a|ge(e dBA)|(def) g2 B|A>BA A2:|
X:3
T:Cary Owen (Irish)
M:6/8
L:1/8
R:Jig
Q:"Moderato"
B:Thomas Wilson - A Companion to the Ball Room (London, 1816, p. 87)
Z:AK/Fiddler's Companion
K:D
dc|BAG FED|F>GF Fdc|BAG FED|E>FE Edc|
BAG FED|F>GF F2A|ABc d2F|E>FE E||
F/G/|{FG}A2F {FG}A2F|{FG}A2F A2d|{GA}B2G {GA}B2G|{GA}B2G B2c|
d2e f2e|d2B A2F|ABc d2F|E>FE E2||
X:4
T:Cary Owen
M:6/8
L:1/8
R:Jig
B:J. Anderson - Anderson's Budget of Strathspeys, Reels & Country Dances
B: for the German Flute or Violin (Edinburgh, 1820, p. 22)
Z:AK/Fiddler's Companion
K:G
g|edc BAG|BcB B2g|edc BAG|ABA A2g|
edc BAG|BcB B2e|def gdB|ABA A2:|
|:B/c/|(B/c/)dB d2B|d2B d2g|(c/d/e)c e2c|e2d e2f|
g2a b2a|g2e d2B|def gdB|ABA A2:|]
X:2
T:Garry Owen. RHu.002
B:R.Hughes MS,1823,Whitchurch,Shrops.
A:Whitchurch, Shropshire
Z:Neil Brookes 2006
M:6/8
L:1/8
Q:3/8=120
R:Quickstep
K:G
g|ed.c BA.G|B>cBB2g/f/|ed.c BA.G|A>BAA2g|
ed.c BA.G|B>cBB2d|defg2B|A>BAA2:|
|:B|d2Bd2B|d>e.dd2g|e2ce2c|e>f.ee2f|
g2ab2a|gf.ed2d|de.fg2B|A>BAA2:|
X:5
T:Garry Owen
M:6/8
L:1/8
R:Jig
Q:"Quick"
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 6, p. 3)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:D
(d'/c'/)|.b.a.g .f.e.d|(f>gf) .f(d'c')|.b.a.g .f.e.d|(e>fe) .e(d'c')|
.b.a.g f.e.d.|(f>gf) f2 a|.a>b.c' (d'a).f|(e>fe) e:|
|:f./.g/|(a2f) (a2f)|(a2f) .a(d'c')|(b2g) (b2g)|(b2g) .b2.c'|
(.d'2e' f'2f')|(d'c').b (ag).f|(a>b)c' (d'a).f|(e>fe) .e:|]
X:6
T:Garryowen
M:6/8
L:1/8
R:Jig
Q:"Allegro"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 9, p. 4)
Z:AK/Fiddler’s Companion
K:A
ag|fed cBA|c>dc cag|fed cBA|B>cB B ag|
fed cBA|c>dc c2e|efg aec|B>cB B:|
|:cd|e2c e2c|e2c e2a|f2d f2d|f2d f2g|
a2b c'2b|agf edc|efg aec|B>cB B:|]
X:1
T:Garry Owen
M:6/8
L:1/8
R:Jig
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 139. Mid-19th century, County Cork
Z:AK/Fiddler’s Companion
K:G
g/f/|edc BAG|B2B Bgf|edc BAG|AcB A2 g/f/|
edc BAG|B2B Bc^c|def gdB|AcB A2:|
|:B/c/|d2B d2B|d2B dgf|e2c e2c|e2c e2f|
g2a b2a|gfe dcB|def gdB|AcB A2:|
|:B/c/|d2B g2d|b3 bag|f2g a2b|g3 gfe|
d2B g2g|g3 f2e|dfa gfe|e3 d2||
B|A2B cBc|B2c d2d|egd egd|egd e2f|
g2d g2d|gfe dcB|edc BcB|G3 G2:|]
X:1
T:Garry Owen
M:6/8
L:1/8
R:Jig
B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 20, pp. 9 & 18)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
Z:AK/Fiddler’s Companion
K:G
g|edc BAG|BcB B2g|edc BAG|ABA A2g|edc BAG|BcB BAB|
def gdB|ABA A2::B|d2B d2B|d2B d2g|e2d e2d|e2d e2f|
g2a gba|g2e edB|def gdB|ABA A2::g|efg/e/ dBG|BcB B2g|
efg/e/ dBG|EAA A2g|efg/e/ dBG|BcB BAB|def gdB|ABA A2:|
|:B/c/|dBg dBg|dBg d2g|ecg ecg|ecg e2f|g2a gba|g2e edB|
def gdB|ABA A2::g/e/|d2G B2G|BcB B2 (g/e/)|d2G B2G|ABA A2g/e/|
d2G B2G|d2B gfe|def gdB|ABA A2:|B/c/|:d2B g2d|{g}b3 bag|
f2g a2 b|g3 gfe|d3 Bcd|{f}g3 gfe|dfa gfe|e3 d3:|
|:A2B c2c|B2c d2d|efd efd|efd e2f|
g2d g2d|gfe dcB|Aed cBA|GAG G3:|]
X:7
T:Garryowen
M:6/8
L:1/8
R:Jig
B:P.H. Hughes -- Gems from the Emerald Isle (London, c. 1860?, No. 35, p. 9)
Z:AK/Fiddler's Companion
K:Bb
b/a/|gfe d>cB|d>ed dba|gfe d>cB|c>dc cba|
gfe d>cB|d>ed d2f|fga bfd|c>dc c2||
d/e/|Tf2d f2d|f2d f2b|Tg2e g2e|g2e g2a|
b2c' d'2c'|bag Tgfd|fga b2d|c>dc c2||
X:1
T:Garry Owen with Variations
M:6/8
L:1/8
R:Jig
B:Stephen Grier music manuscript collection (Book 3, c. 1883, No. 33, p. 12)
B:http://grier.itma.ie/book-three#?c=0&m=0&s=0&cv=11&z=109.9507%2C1489.3636%2C3296.7146%2C1276.3632
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:G
gf|edc BAG|BcB Bgf|edc BAG|ABA Agf|
edc BAG|BcB BAB|GBd gdB|ABA A2||
Bc|d3 d2B|deB e2g|e2d e2d|efd e2f|
g2a b2a|gfg edB|def gdB|ABA A2||
P:1st Variation
gf|edc BAG|Bc/d/G Bdg|ec cBA|FG/A/D FG/A/D|
edc BAG|Bdg Bdg|def gdB|ABA A2||
P:2nd Variation
Bc|d2B g2d|b3 bag|f2g a2b|g3 gfe|
d2B g2d|b3 bag|fga gfe|e3 d3||
P:3rd Variation
A2B c2A|B2c d3|ef/g/d ef/g/d|ef/g/d e2f|
ggd ggd|gfe dcB|Aed cBA|G3 G2||
P:4th Variation
g|b3 d'bg|bbb b2a|b2 d'bg|aaa a2g|
gbd' d'bg|gbd g'3|GBd gdB|ABA A2||
P:5th Variation
f|g2d b2g|a2d' b2g|g2d b2g|ad'd' d'2B|
gg/g/d ee/e/B|cc/c/A BB/B/G|GBd cBA|G3 G3||
X:8
T:Garryowen
M:6/8
L:1/8
R:Jig
S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 1001
Z:AK/Fiddler's Companion
K:G
g/f/|edc BAG|B>cB Bgf|edc BAG|ABA Agf|
edc BAG|B>cB B2 B/c/|def gdB|A>BA A2:|
|:B/c/|d2B d2B|dec dgf|e2c e2c|efd e2f|
g2a b2a|gfe edB|def gdB|A>BA A2:|
|:g|e/f/ge dBG|BGB Bgf|e/f/ge dBG|AFA Agf|
e/f/ge dBG|BGB BAB|def gdB|ABA A2:|
|:B/c/|dBg dBg|dBg d2g|ecg dcg|ecg e2f|
g2a b2a|gfe dcB|def gdB|ABA A2:|
|:B/c/|d2B g2B|b3 bag|f2g a2b|c'ba gfe|
d2B g2B|b3 bag|def gdB|ABA A2:|
|:c/B/|A2B c2c|B2c d2d|e/f/gd gbd|e/f/gd e2f|
g2d b2d|gfe dcB|def gdB|ABA A2:||
X:1
T:Garryowen
M:6/8
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 14 -09:25 on the tape)
Z:Transcribed by Andrew Kuntz
K:G
g/f/|edB {c}BAG|BGB B2g|(3g/f/e/dB {Bc}BAG |ABA Agf|
edc {Bc}BAG|B2G B2d|def g(f/a/f)|edB Agf|
edc {Bc}BAG|BGB Bdg-|ed(B {c}B)AG|ABA A2g|
ed(B {c}B)AG|BGB B2d|def g(f/a/f)|edB ABc||
ddB d2B|d2d dBd|eec eec|ece e2f |
{ga}gga b>ba|g(f/g/e) d>cB|def g/g/fg|edB ABc|
d2B ddB|dBd dgf|e>ec e>ec|efe e2f|
g2a b2a|gfe d<dB|def g(f/a/f)|edB Az||