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X:1
T:Money Musk [1]
S:Micah Hawkins music manuscript collection (p. 3)
N:Hawkins (1777-1825) was a NYC tavern owner and musician who wrote the
N:first American two-act opera. He was the uncle of painter and
N:fiddler William Sidney Mount.
M:C|
L:1/8
R:Reel
Z:AK/Fiddler's Companion
K:D
f|e>Ac>A e>Ad>f|e>Ac>A Bc/B/ (df)|eAcA cd/e/ ea|fdBe cA A2:|
|:g|aeca eaca|acAa AaBg|aefa eaca|fdBe dA A2:|
X:1
T:Money Musk
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript collection (vol. 2, c. 1883, p. 1, No. 4)
B: http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=0&z=-338.7536%2C923.1979%2C4214.9032%2C1474.4442
N:Stephen Grier (c. 1824-1894) was a piper and fiddler from
N:Newpark, Bohey, Gortletteragh, south Co. Leitrim.
Z:AK/Fiddler’s Companion
K:A
f2|eA cB/A/ eAdf|eA cB/A/ Bcdf|eA cB/A/ ceae|fdBd cA A2||
a2 ea caea|a2 ga bBBg|a2 ea caea|fdBd cAAg|
a2 ea caea|a2 ga bBBg|agfe fedc|defg a2||
X:1
T:Mony Musk in the Scotch Way
M:C
L:1/8
R:Reel
B:Stephen Grier music manuscript collection (1883, Book 3, No. 252)
N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally
N:from north Longford, but who moved around 1852 to Newpark,
N:Bohey, Gortletteragh, south Leitrim.
K:A
f|eAcA eAaA|eA cB/A/ GA Bc/d/|eAcA eAae|f/e/d Be/e/ cAA:|
g|aaea caAa|aa ag/a/ bBBg|aa/a/ ea caAa|f/e/d Be/e/ cAAg|
aa aa/a/ aa aa/a/|aa aa/a/ bBBc|dbca BaAa|f/e/d Be/e/ cA A2||
X:1
T:Money Musk [1]
M:C
L:1/8
R:Reel
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 129. Mid-19th century, County Cork
N:A second version of the tune on the same page.
Z:AK/Fiddler’s Companion
K:A
af|eA (3cBA eAfA|eA (3cBA Bcdf|eA (3cBA eaga|feBd cA A2:|
a2 ea caea|a2 ga bB B2|a2 ea caea|gdBd cA A2|
a2 ea caea|a2 ga bB B2|g2 ga fedc|defg a2 af||
X:5
T:Moniemusk Reel [1], The
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
N:O’Neill remarks: “The first and second parts as above noted constitute the original tune
N: composed by Daniel or Donald Dow, a musician of note who died at Edinburgh in
N: 1783. The third was substituted for the more difficult second by modern fiddlers, and
N: the fourth, the editor memorized from the playing of Wm. McLean, the greatest
N: Highland piper of his day in Chicago, some fifty years ago.”
R:Reel
K:G
e|dGBG dGce|dGBG ABce|dGBG Bcdg|ecAd BG G2:|
|:gddg Bgdg| gdcg BgAf|gdeg dgBg|ecAc BG G2:|
|:gdBd edBd|gdBd eA A2|1gdBd edBc|dcAc BG G2:|
2gefd ecdc|BcAc BG G2||g2 gf g2 (3def|
g2 fg ef d2|g2 af g2 dc|BcAc BG G2|g2 gf g2 (3def|
g2 fg ef d2|gefd ecdc|BcAc (3BAG (3gfe||
X:1
T:Jigues
T:Money Musk [1]
N:The second tune in a set of untitled duple-time dance pieces from
N:the playing of fiddler Arthur-Joseph (A.J.) Boulay (1883-1948),
N:who was born in New Hampshire, but who spent much of his life in Quebec.
M:C|
L:1/8
R:Reel
Q:"Fast"
D:http://www.collectionscanada.ca/obj/m2/f7/16187.mp3
D:Victor 263130b (78 RPM), A.J. Bouley (1922)
Z:Andrew Kuntz
K:A
af|eAcA eAdf|eAcA Bcdf|eAcd ecde|fBBd cAAf|
eAcA eAdf|eAcA Bcdf|eAcd eaga|bgeg a2||
|:(3efg|aefe aece|aece bece|aece Aece|fefg a2:|
X:18
T: Money Musk
C:
B:Good Morning: After a Sleep of Twenty-five Years, Old-fasioned Dancing is
B:Being Revived by Mr. and Mr. Henry Ford. Dearborn, Michigan, 1926.
N:This is very close to the way that Phil Cook, an Akwesasne Mohawk fiddler
N:from upstate New York who moved to Richland, Washington, played this tune.
M:2/4
K:A
f|eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAf
eAcA eAdf|eAcA Bcdf|eAcA eaga|fdBe cAAe||
aeca eace|aedb caBg|aeca eaga|fdBe cAAe|
aeca eace|aedb caBg|aeca eaga|fdBe cAAB||
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a2 AB|
c2cA d2dB|c2cA B2(3BcB|ABcd eaga|gefg a4||
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a4|
Aceg a2a2|Aceg b2b2|Aceg a2aa|gefg a3|]
X:1
T:Money Musk [1]
M:C|
L:1/8
N:From an August 24, 1966, field recording of the playing of Fidel
N:Martin (1891-1976) of Berlin N.H., originally from Rogersville, NB, recorded
N:by folklorist Art Rosenbaum. Martin, a WWI veteran, had a repertory that
N:consisted of Acadian, Irish, American and French-Canadian tunes.
D:https://bmac.libs.uga.edu/index.php/Detail/objects/331506
F:UGA Brown Media Archives: identifier artrosen_0056 (Track 3 -21:26 on the tape)
Z:Transcribed by Andrew Kuntz
K:G
P:A
e|:dGBG dGce|SdGBG ABce|dGBG dGBd|1ecAc BGGe:|2ecAc BG .[GB]z||
P:B
g(deg) ddBd|.gzce BdAd|gdeg dgBd|ecAc BGGd|
g(deg) ddBd|ggce dGBB|[M:2/4].AzAA|[M:C|] gdeg d2 Bd| {ef}edef gfge||
P:Var. 1
dGBG dGce|dGBG ABce|dGBG dGBd|ecAc BGG(e/g/|
d)GBd Gdce| dGBd ABcd|d(GBG) dGBG|A(c/B/A)d BG.[G2B2]||
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |ecAc BG [G2B2]|
gd(e/f/e) ddBd|gece BdAd|gd(e/f/e) ddBd |{ef}edef (g/f/g)ge||.G>GBG dGceS|
P:Var. 2
GGBd gggg|dGBd aaaa|ddBd azgg|{ef}edef ggg(e/f/|
d)BBd gggg|ddBd aaaa|dGBd gggg|fdef ggge||