My Lodging is on the Cold Cold Ground

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 Theme code Index    113 41H1H
 Also known as    Believe Me if All Those Endearing Young Charms, Duty and Love, Is Mo Loistin an Talam Fuar, Oh Shrive Me Father, When the Dove Left the Ark
 Composer/Core Source    
 Region    England, Ireland
 Genre/Style    English, Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AB, AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 1
 Tune and/or Page number    No. 116, p. 41
 Year of publication/Date of MS    1782
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 R:Jig B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 116, p. 41) Z:AK/Fiddler’s Companion K:D (F/E/)|DED DFA|B3 d2B|AFD DEF|EEE E2 (F/E/)| DED DFA|B3 d2B|AGF EDE|DDD D2:| |:A|ABc d2c|B3 d2B|AGF EFD|EEE EFE| DED DFA|B3 d2B|AGF EDE|DDD D2:|]


X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 R:Air S:John Rook music manuscript collection (1840, p. 111, Waverton, Cumbria) Z:AK/Fiddler's Companion K:G d/B/ |G>AG GBd|ceg g2 f/e/|d>cB AGA|B3 z2 d/B/| G>AG GBd|ceg g2f/e/|dgB TA>GA|G3 z2:| |:B/c/|dBg gfe|Td3 c2 B/c/|d>cB AGA|TB3 z2 d/B/| A>GA GBd|ceg g2 f/e/|dgB TA>GA|G3:|]


X:1 T:My Lodging is on the cold ground M:6/8 L:1/8 R:Air Q:”Andante” B:William Forde – 300 National Melodies of the British Isles (c. 1841, p. 3, No. 8) B: https://www.itma.ie/digital-library/text/300-national-melodies-of-the-british-isles.-vol.-3-100.-irish-airs N:William Forde (c.1795–1850) was a musician, music collector and scholar from County Cork Z:AK/Fiddler’s Companion K:Ab (c/B/)|A>BA Ace|dfa a2 (g/f/)|e>dc {c}B>AB|c3- c2 (c/B/)| A>BA Ace|dfa a2 (g/f/)|eac {c}B>AB |A3- A2|| e|eca a2 e|fda a2 (g/f/)|e>dc {c}B>AB|c3- c2 (c/B/)| A>BA Ace|dfa a2 (g/f/)|eac {c}B>AB|A3- A2||


X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 R:Air Q:"Slow and with feeling" B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 47, p. 24) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:F (A/>G/)|(F>GF) (FA).c|(Bd).f .f2 (e/>d/)|(c>BA) {A}(GFG)|(A3-A2 G)| (F>GF) (FA).c|(Bd)f !fermata!.f2 (e/d/)|(c<f.A) {A}(G>FG) |(F3 F2):| |:(c/B/)|(Acf) .f2 (c/^c/)|(dBf) (f/e/g/f/e/d/)|(c>BA) (G{AG}F).G|A3 (A/4G/4e/4d/4 ^c/4d/4=c/4B/4 A/4B/4A/4G/4)| (F>GF) (FA).c|(Bd)f {efg}!fermata!f2 (e/>d/)|(c<f.A) {A}(G>FG)|F3-F2:|]


X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 R:Air Q:"Moderato" B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 9, p. 22) Z:AK/Fiddler’s Companion K:C G,|C>DC CEG|FAc c2 B/A/|G>FE DCD|E>FE E2-D| C>DC CEG|FAc c2 B/A/|G>FE DCD|C3-C2:| |:G|GEc c2-A|AFc c2 B/A/|G>FE DCD|E>FE E2-D| C>DC CEG|FAc c2 B/A/|G>FE DCD|C3-C2:|]


X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 R:Air Q:"Andante" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 10, p. 4) Z:AK/Fiddler’s Companion K:Ab (c/B/)|A>BA (Ace)|(dfa) a2 (g/f/)|(e>dc) {c}(B>AB)|(c3 c2) (c/B/)| (A>BA Ac)e|(dfa) a2 (g/f/)|(eac) {c}(B>AB)|(A3 A2)|| e|(eca) a2 e/=e/|(fda) a2 (g/f/)|(e>dc {c}B>A)B| (c3c2) (c/B/)| (A>BA) A(ce)|(dfa) a2 (g/f/)|(ea(c {c}B>A)B|(A3 A2)||


X:1 T:My Lodging is on the Cold Ground M:6/8 L:1/8 Q:"Very Slow" R:Pipe March B:William Ross -- Ross's Collection of Pipe Music (1869, No. 58, p. 82) Z:AK/Fiddler's Companion K:Amix cB|A>BA Ace|dfa a2 g/f/|e>dc B>AB|c>ec B2 c/B/| A>BA Ace|dfa a2 g/f/|eac B>AB|A4:|| ed|c>ea a2e|f>ea a2 g/f/|e>dc BAB|c>ec Be/d/c/B/| ABA Ace|dfa a2 g/f/|eac BAB|A4||


X:2 T:My Lodging is on the Cold, Cold Ground M:3/4 L:1/8 R:Air Q:"Slow with feeling" S:O'Neill - Music of Ireland (1903), No. 114 Z:AK/Fiddler's Companion K:G (B/>A/) | (G>AG) (GBd) | (ceg) (g2 f/>)e/ | (d>cB) {A/B/}AG>A | (B3B2) (B/>A/) | (G>AG) (GBd) | (ceg) g2 (f/e/) | (dgB) (A{B/A/}GA) | (G3 G2) || (d/>c/) | (Bd).g g2 d/d/ | (ec).g g2 (f/e/) | (d>cB) {A/B/}(AG>A) | (B3B2) (B/>A/) | G>AG (GBd) | (ceg) g2(f/e/) | (dgB) (A{B/A/}GA) | (G3 G2) ||