She rose and let me in

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X:1 T:The Fair one let me in M:C L:1/8 S:Thomas D’Urfey (1683) K:Emin B2|G2 FE B2e2|d3c B2 AG|c3B A2 GF|^D6B2| G2 FE B2 e2|^d3e f2g2|e2 d^c c3B|B6|| Bc|d3d edcB|c2d2 e3d|c2 BA A3G|G6 g2| e3B c2 BA|f2g2 ^d3B|cBAG A2B2|d6||

X:2 T:She roase and let ‘m in M:C L:1/8 S:Margaret Sinkler MS (1710) K:Emin GF|E2B2B2e2|d3c B2c2|A4G FGAB|F6 G>F| E2B2B2e2|d3c B2B2|g2 fe e3^d|e6|| ef|g3e d2cB|edef g2 Bc|A3G FG A2|F4 E<F ef| g3e d2cB|edef g2 Bc|A4G A2B2|e6||

X:1 T:She rose and let me in M:C L:1/8 B:Daniel Wright – Aria di Camera (London, 1727, No. 6) N:”being A Choice Collection of Scotch, Irish & Welsh Airs N:for the Violin and German Flute by the following masters N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick N:Mr. Hugh Edwards of Carmarthen” F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf Z:AK/Fiddler’s Companion K:Emin GF|E2B2B2 (ef)|d3c B2 (Bc)|A3G (FG)(AB)|{A}F6 GF| E2B2B2 (ef)|d3c B2 ef|g2 (fe) f2^d2|e6:| |:ef|g2 fe f2B2|(e^d)(ef) g2 (Bc)|A3G (FG)(AB)|{A}F6 ef| g3f (ed)(cB) (e^d)(ef) g2 Bc|A3G A2B2|e6:||

X:1 T:She raise and loot me in M:C L:1/8 R:Air B:William Thomson - Orpheus Caledonius, vol. 2 (1733, No. 14, p. 53) B: https://digital.nls.uk/special-collections-of-printed-music/archive/91481606 N:Thomson (c. 1695-1753) was a Scottish singer and folk song collector N:who lived in London for most of his adult career. Z:AK/Fiddler’s Companion K:Emin E2|E2B2B2e2|T^d3^c B2 =c2|B2 AG FGA G|{G}F6 GF| E2B2B2e2|^d3e f2B2|B2g2 gf e^d|{^d}e6|| ef|g2 fe ^d2 ^cB|e^d ef g2B2|AcB A GBA G|F6 ef| g2 fe ^d2 ^cB|e^de f g2B2|A3G (A2B) ^d|e6||

X:3 T:She rose & let me inn M:C L:1/8 R:Air Q:"Slow" S:McGibbon – Scots Tunes, Book 1 (c. 1746) Z:AK/Fiddler’s Companion K:Emin G>F | E2 B>c B2e2 |T^d3^c B2 =c2 | {c}B2 AG (F>G)AG | G2F2 z2 G>F | E2 (B>c) B2e2 |T^d3e f2 B>c | B2f2 (gf)T(e^d) | e6 :| |: (e>f) | g2 T(fe) {e}^d2 T(^cB) | (e>^de)f g2 B2 | A>cBA G>BAG |T(G2F2) z2 (ef) | (gfg)e (^d^c)(dB) |T(e^de)f g2B2 |TA3G A2 (B^d) | e6:: (B>A) | (GB)(FB) e2g2 | (f^d)(ec) B2c2 | (BA)(cB) (A/B/c/)B/ AG |T(G2F2) z2 B>A | GBFB e2 e>f | (g/f/e/^d/) e>g f2 (Bc) | Bbag (fe)(B^d) | e6 :| |: ef | g2 T(fe) (^de/f/) (B^d) |Te>d (e/g/f/a/) g2B2 | (cB)(AG) (FE) (A/G/F/G/) |T(G2F2) z2b2 | (ag)T(fe) T(^d^cd)B | (e/4f/4g/) (f/4g/4a/) (g/4a/4b/) (a/4b/4c'/) b2 B2 | (cB)T(AG) A2 (B^d) | e6 :|]

X:1 T:She rose and let me in M:C L:1/8 R:Air Q:"Slow" B:James Oswald – Caledonian Pocket Companion, vol. 1 (1760, p. 21) Z:AK/Fiddler’s Companion K:Edor G>F|E2 (B>c) B2 (e>f)|T^d3c B2 (AG)|TF3E (FG)(AG)|F3G F2 T(G>F)| E2 (B>c) B2 (e>f)|T^d3e B2 (e>f)|g2 (fe) {a}gf{f}e^d|e3f e2:| |:(e>f)|g2 (fe) T^d2 {c}B2|(e^d)(ef) g2 (B>c)|{B}TA3G (FE)(AG)|F3G F2 (e>f)| (gf)(ge) (dc)(dB)|(e^d)ef g<a (g/a/b)|{B}TA3G A2 (B^d)|e3f e2:| |:T(GF)|E2 (GB) E2g2|(fe/^d/) ec B2 (AG)|TF3 E {d}cB{B}AG|F3G F2 T(G>F)| E2 (GB) e3f|g(3f/e/^d/ ec B2 b2|(ag)(fe) B2 (^d<f)|e3f e2:| |:(e>f)|g(f/g/) (a/f/g/)e/ dfBd|e^d (e/g/f/a/) g2 (B>c)|{B}AG{G}FE (cB)(AG)|TF3G F2b2| (ag/f/) ge (dcd)B|(e/g/f/a/ g/b/a/c') b2 (B>c)|{B}A3G A2 (B^d)|e3f e2:|]

X:1 T:She rose and loote me in M:C L:1/8 B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 284, p. 63) B: https://archive.org/details/flutemelodies0000rile/page/n77/mode/2up Z:AK/Fiddler’s Companion K:Gmin B>A|G2 (d>e) d2g2|{g}^f3=e d2_e2|(ed).c.B (ABcB)|(B2A2) z2 (B>A)|G2 (d>e)d2g2| {g}^f3g a2 (d>e)|d2 a2 (bag^f)|g6::(ga)|{ga}b2 (ag) g^fed|(g^f).g.a b2 zB| (cedc)( BdcB)|{c}B2-A2 z2 (g>a)|(babg) (^f=efd)|(g>^fg).a .b2.d2|(c>B) c2d2T^f2|g6:|]