Sir Charles Sedley's Minuet
X: 313 T: Sir Charles Sedley's Minuet B: C. & S. Thompson, "The Compleat Tutor for the Fife" c.1760 p.31 #3 S: http://imslp.org/wiki/The_Compleat_Tutor_for_the_Fife_(Anonymous) Z: 2014 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d2fdec | d2e2f2 | A2BcdB | A2G2F2 |\ D3FEG | F2DFEG | F2GFED | A6 :| |:\ AFDFA=c | {c}B2ABG2 | B^GEGBd | {d}c2BcA2 |\ ecAceg | fdecd2 | A>gf2Te2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - -
X:1
T:Sir Charles Sedley’s Minuet
M:3/4
L:1/8
R:Minuet
Z:AK/Fiddler’s Companion
K:D
d2 fdec | d2e2f2 | A2 BcdB | A2G2F2 | D3 FEG |
F2 DFEG | F2 GFED | A6 :: AFDFA=c | B2 AB G2 | B^GEGBd |
c2 Bc A2 | ecAceg | fdec d2 | fdec d2 | Ag f2e2 | d6 :|
X:2
T:Sir Charles Sedley's Minuet
C:Traditional
S:GINA LE FAUX "Masquerades And Operas" Lefaux Music LFM004
N:Ms Le Faux writes to say she “recorded the tune on an 18th century
N:fiddle which is in its original condition with gut strings tuned down to
N:old pitch. This version is in the key of D, old pitch, and not C.” [A.K.]
S:The CD notes list the 1760 Joseph Barnes manuscript as the source.
M:3/4
L:1/8
K:D
(3ABc |: d2 +d2f2+ +d2f2+ | d2e2f2 | A2 Bc dB | A2G2F2 |
DF EG FA | A2G2A2 | +A,4G4+ +A,4F2+ |[1 +A,4E4+ (3ABc :|
[2 +A,4E4+ AB |: AF DF A=c | B2A2G2 | BG EG Bd | c2B2A2 |
ec Ac eg | f2e2d2 | a4c2 | [d4 dB :| [2 d4 ||
X:1
T:Sir Charles Sedley's Minuet
M:3/4
L:1/8
R:Minuet
S:John Rook music manuscript collection (1840, Wigton, Cumbria)
Z:AK/Fiddler’s Companion
K:D
d2A2|d2f2 dec|d2e2f2|A2 BcdB|A2G2F2|D3 FEG|
F2 DFEG|F2 GFED|A4::AFDFAc|c/B/AGF G2|
BGEGBd|d/c/BAG A2|ecAceg|fdec d2|Ag f2e2|d4:|]