Annotation:Sadie: Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| (One intermediate revision by one other user not shown) | |||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''SADIE'''. AKA and see “[[Lay Your Good Money Down]].” Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AABB. Similarities with the first strain of Gene Goforth’s “[[Emminence Breakdown]]” (and the Irish “[[Merry Blacksmith ( | '''SADIE'''. AKA and see “[[Lay Your Good Money Down]].” Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AABB. Similarities with the first strain of Gene Goforth’s “[[Emminence Breakdown]]” (and the Irish “[[Merry Blacksmith (The)]]” family of tunes). Drew Beisswenger (2008) points similarities in the ‘A’ part with source Alton Jones’s own “Jefferson/[[Jeff City]]]” and the ‘B’ part with Bob Holt’s “[[Ninth of January]].” Kentucky fiddle Roger Cooper believes the tune resembles “[[Durham's Reel]].” No relation to "[[Little Sadie]]." | ||
<br> | <br> | ||
</div> | </div> | ||
| Line 16: | Line 16: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - Alton Jones (1918-2002, Theodosia, Mo.), learned from blacksmith and fiddler Allan Jennings [Beisswenger & McCann]. | <font color=red>''Source for notated version''</font>: - Alton Jones (1918-2002, Theodosia, Mo.), learned from blacksmith and fiddler Allan Jennings [Beisswenger & McCann]. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 84. | <font color=red>''Printed sources''</font> : - Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 84. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - Rounder 0437, Alton Jones – “Traditional Fiddle Music of the Ozarks, vol. 3: Down in the Border Counties” (2000. Various artists). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Rounder 0437, Alton Jones – “Traditional Fiddle Music of the Ozarks, vol. 3: Down in the Border Counties” (2000. Various artists). </font> | ||
</font></p> | </font></p> | ||
Latest revision as of 20:00, 6 May 2019
X:1 % T:Sadie S:Alton Jones M:C| L:1/8 R:Reel K:D (a2|a4)f2 (f2|f2) df edBc|d...
SADIE. AKA and see “Lay Your Good Money Down.” Old-Time, Breakdown. USA, Missouri. D Major. Standard tuning (fiddle). AABB. Similarities with the first strain of Gene Goforth’s “Emminence Breakdown” (and the Irish “Merry Blacksmith (The)” family of tunes). Drew Beisswenger (2008) points similarities in the ‘A’ part with source Alton Jones’s own “Jefferson/Jeff City]” and the ‘B’ part with Bob Holt’s “Ninth of January.” Kentucky fiddle Roger Cooper believes the tune resembles “Durham's Reel.” No relation to "Little Sadie."