Annotation:Breeches Loose (2): Difference between revisions

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|f_annotation='''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]."  English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," the association obvious, and perhaps meant to be companion tune<ref>The tunes were also entered adjacent to each other in John Roose's mid-19th century music ms. </ref>. "Breeches Loose" was also entered in the mid-19th century music manuscript of William Winter, a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.
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'''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]."  English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," the association obvious, and perhaps meant to be companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more.
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See also note for "[[annotation:Old Grey Goose (1)]]" for more.
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|f_printed_sources=Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 1'''), 1757; No. 198. Geoff Woolfe ('''William Winter’s Quantocks Tune Book'''), 2007; No. 127, p. 50 (ms. originally dated 1850).
<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Printed sources''</font> : - Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 1'''), 1757; No. 198.
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Latest revision as of 01:39, 15 July 2023


Back to Breeches Loose (2)

X:1 T:Breeches Loose [2] M:6/8 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:Gmin A|BdB cAc|BGG G2A|BdB cAc|AFF F2A| BdB cAc|Bdg f2e|dcB (A/B/c)A|BGG G2:| |:A|Bd(f f)dB|fdB fdB|ce(g g)ec|gec gec| Bd(f f)dB|bag fdB|(c/d/e)c (A/B/c)A|BGG G2:||


BREECHES LOOSE [2]. AKA and see "All Alive (1)," "Breeches Maker (The)," "Northumberland Lady." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 5 (London, 1750), and then in David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his Recueil de Contradances Angloises (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "Petticoat Loose (3)," the association obvious, and perhaps meant to be companion tune[1]. "Breeches Loose" was also entered in the mid-19th century music manuscript of William Winter, a shoemaker and violin player who lived in West Bagborough in Somerset, southwest England.

See also note for "annotation:Old Grey Goose (1)" for more.


Additional notes



Printed sources : - Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 198. Geoff Woolfe (William Winter’s Quantocks Tune Book), 2007; No. 127, p. 50 (ms. originally dated 1850).





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  1. ↑ The tunes were also entered adjacent to each other in John Roose's mid-19th century music ms.
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