Mason's Apron (The): Difference between revisions
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|:ed|cAeA fAeA|cAeA fedc|dBfB gBfB|dBfB gfed| | |:ed|cAeA fAeA|cAeA fedc|dBfB gBfB|dBfB gfed| | ||
cAeA fAeA|cAeA fedc|Bcde fefa|AAcB A2:|] | cAeA fAeA|cAeA fedc|Bcde fefa|AAcB A2:|] | ||
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BGdG eGdG|BGdG B2 AG|cAeA gAeA|cAeA c2 BA| | BGdG eGdG|BGdG B2 AG|cAeA gAeA|cAeA c2 BA| | ||
BGdG eGdG|BGdG B2 AG|cBcd efgB|ABcd e2g2|| | BGdG eGdG|BGdG B2 AG|cBcd efgB|ABcd e2g2|| | ||
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cAeA fAeA|cAeA fedc|dBfB bBfB|dBfB gfed| | cAeA fAeA|cAeA fedc|dBfB bBfB|dBfB gfed| | ||
cAeA fAeA|cAeA fedc|Bcde fdec|dBAG Bafd|| | cAeA fAeA|cAeA fedc|Bcde fdec|dBAG Bafd|| | ||
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c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) Adf(d|bg)af (e=f) (^fg)| | c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) Adf(d|bg)af (e=f) (^fg)| | ||
(3aba (3gag (3fgf (3efe|(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF (3EFE (3DED|(3CDC (3B,CB, {A,}C2|| | (3aba (3gag (3fgf (3efe|(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF (3EFE (3DED|(3CDC (3B,CB, {A,}C2|| | ||
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Revision as of 12:21, 4 December 2018
X:1 % T:Mason's Apron M:C| L:1/8 R:Reel K:A |:ed|c2A2 ABAF|EFAB c2BA|dBB2 BcBA|Bcde f2ed| c2A2 ABAF|EFAB c2BA|Bcde fefa|AAcB A2:| |:ed|cAeA fAeA|cAeA fedc|dBfB gBfB|dBfB gfed| cAeA fAeA|cAeA fedc|Bcde fefa|AAcB A2:|]
X:1
%
T:Mason's Apron, The (Old Scotch)
M:C
L:1/8
Q:"Allegro"
R:Reel
B:Thomas Wilson - Companion to the Ball Room (1816, p. 53)
Z:AK/Fiddler's Companion
K:G
BGGG G>AGE|DEGA B2 AG|cAAB A>BAG|ABcd e2g2|
BGGG G>AGE|DEGA B2 AG|ABcd egdB|ABcd e2g2||
BGdG eGdG|BGdG B2 AG|cAeA gAeA|cAeA c2 BA|
BGdG eGdG|BGdG B2 AG|cBcd efgB|ABcd e2g2||
X:1
%
T:Mason’s Apron, The, or Roxberry Reel
M:C
L:1/8
R:Reel
S:Rev. Luke Donnellan – “Oriel Songs and Dances",
S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 49)
Z:AK/Fiddler’s Companion
K:A
ed|cAA/A/A ABAF|EFAB dcBA|dBB/B/B (3Bcd BA|Beef gfed|
cAA/A/A ABAF|EFAB dcBA|Bcde fedc|dBAG A2 Ad||
cAeA fAeA|cAeA fedc|dBfB bBfB|dBfB gfed|
cAeA fAeA|cAeA fedc|Bcde fdec|dBAG Bafd||
X:3
%
T:Mason's Apron
M:C|
L:1/8
R:Reel
S:Arthur Robertson's transcription of Sean Maguire's variations (1985)
K:A
(fg)|a>A A/A/A (cB)A(F|EF)AB c(ABc)|d>B B/B/B (dc)BA|(Bc)de (gf)ed|
c>A A/A/A (cB)A(F|EF)AB c(ABc)|dcd(e ga)gf|edcB A:|
|:(fed)|c>A A/A (fA)ed|c>A A/A/A (fe)dc|d>B B/B/B (gB)fB|d>B B/B/B (gf)ed|
c>A A/A/A (fA)ed|c>A A/A/A (fe)dc|(Bc)de (ga)gf|edcB A:|
|:(GAB)|c2 (ec) fcec|c/c/c (ac) gcfc|d2(fd) gdfd|d/d/d (ad) gdfd|
c2 (ec) fcec|c/c/c (ac) gcfc|(dc)de (ga)gf|edcB A:|
|:(efg)|a>e e/e/e (ae)fg|a(bga) fefa|b>f f/f/f (bf)g^a|b2 (^ab) fefg|
a>e e/e/e (ae)fg|a(bga) fef(g|ag)af ecA(c|BA)Bc A2:|
|:e2|(ac')_ea (c'e)ac'|(gd')eb (d'e)bd'|(ea)c'e (ac')ea|(3gbg eg (be)gb|
(ea)c'e (ac')ec'|(gb)eb (d'e)bd'|(ea)c'e (gb)eb|g(efg) a2:||
"5th position variations, play an octave higher"c2|c2 (ec) fcec|c/c/c (ec) fcec|d2 (fd) AdFA|dFAd fded|
c2 (ec) fcec|c/c/c (ec) fce(c|dc)de fde(d|cA)BG A3B|
c2 (ec) fcec|Acec|Gcec|d/d/d (fd) AdFA|dFAd fded|
c2 (ec) (fc)ec|c/c/ (ec) fce(c|dc)de fde(d|cA)BG A2||
"1st position"|:(e>g)|a>A A/A/A (cB)A(F|ED)CB, A,CEA|F>D D/D/D (FD)F(A|dc)BA GBeg|
a>A A/A/A (cA)E(D|CA,)CE A(EcA)|dfB(d ce)Ac|BABc A2:||
d2|c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) AdF(A|dF)Ad fded|
c2 (ec) Acec|Gcec =Gcec|(dc)de (ga)gf|edcB AGAB|
c2 (ec) Acec|Gcec =Gcec|d/d/d (fd) Adf(d|bg)af (e=f) (^fg)|
(3aba (3gag (3fgf (3efe|(3ded (3cdc (3BcB (3ABA|(3GAG (3FGF (3EFE (3DED|(3CDC (3B,CB, {A,}C2||