Annotation:Breeches Loose (2): Difference between revisions
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'''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," obviously a companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more. | '''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," obviously a companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more. | ||
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''Source for notated version'': | <p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances | <font color=red>''Printed sources''</font> : - Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 1'''), 1757; No. 198. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Revision as of 06:08, 9 June 2019
X:1 T:Breeches Loose [2] M:6/8 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynn Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:Gmin A|BdB cAc|BGG G2A|BdB cAc|AFF F2A| BdB cAc|Bdg f2e|dcB (A/B/c)A|BGG G2:| |:A|Bd(f f)dB|fdB fdB|ce(g g)ec|gec gec| Bd(f f)dB|bag fdB|(c/d/e)c (A/B/c)A|BGG G2:||
BREECHES LOOSE [2]. AKA and see "All Alive (1)," "Breeches Maker (The)," "Northumberland Lady." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 5 (London, 1750), and then in David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his Recueil de Contradances Angloises (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "Petticoat Loose (3)," obviously a companion tune. See also note for "annotation:Old Grey Goose (1)" for more.