Annotation:Irish Vauxhall: Difference between revisions

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'''IRISH VAUXHALL, THE'''.  English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AA'BB'. The melody was first printed by London publishers John Johnson, in his '''Choice Collection of 200 Favourite Country Dances, vol. 5''' (1750) and David Rutherford in his '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (1750). Rutherford included the tune in his '''Compleat Collection of 200 Country Dances, vol. 2''' (London, 1760), followed by Charles and Samuel Thompson in their 1765 country dance volume. A version was penned by London musician Thomas Hammersley into his 1790 music manuscript copybook.  
'''IRISH VAUXHALL, THE'''.  English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AA'BB'. The melody was first printed by London publishers John Johnson, in his '''Choice Collection of 200 Favourite Country Dances, vol. 5''' (1750) and David Rutherford in his '''Choice Collection of Sixty of the Most Celebrated Country Dances''' (1750). Rutherford included the tune in his '''Compleat Collection of 200 Country Dances, vol. 2''' (London, 1760), followed by Charles and Samuel Thompson in their 1765 country dance volume. A version was penned by London musician Thomas Hammersley into his 1790 music manuscript copybook.  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 199.  
''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 2'''), 1765; No. 199.  
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Revision as of 14:27, 6 May 2019

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IRISH VAUXHALL, THE. English, Country Dance Tune (2/4 time). D Major. Standard tuning (fiddle). AA'BB'. The melody was first printed by London publishers John Johnson, in his Choice Collection of 200 Favourite Country Dances, vol. 5 (1750) and David Rutherford in his Choice Collection of Sixty of the Most Celebrated Country Dances (1750). Rutherford included the tune in his Compleat Collection of 200 Country Dances, vol. 2 (London, 1760), followed by Charles and Samuel Thompson in their 1765 country dance volume. A version was penned by London musician Thomas Hammersley into his 1790 music manuscript copybook.

Source for notated version:

Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 199.

Recorded sources:




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