Annotation:Braes of Bushbie (2): Difference between revisions
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'''BRAES OF BUSHBIE [2]'''. AKA – "Braes of Busbie." AKA and see "[[Duke of Sutherland's March]]." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his '''Collection''' (1789). A note in Nathaniel Gow's '''Sixth Collection''' (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "[[Dowd's Favorite (1)]]," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality. | '''BRAES OF BUSHBIE [2]'''. AKA – "Braes of Busbie." AKA and see "[[Duke of Sutherland's March]]." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his '''Collection''' (1789). A note in Nathaniel Gow's '''Sixth Collection''' (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "[[Dowd's Favorite (1)]]," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality. | ||
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''Sources for notated versions'': Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson]. | ''Sources for notated versions'': Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson]. | ||
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Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 6'''), 1803; No. 91, p. 35. | Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 6'''), 1803; No. 91, p. 35. | ||
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Revision as of 11:24, 6 May 2019
Back to Braes of Bushbie (2)
BRAES OF BUSHBIE [2]. AKA – "Braes of Busbie." AKA and see "Duke of Sutherland's March." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his Collection (1789). A note in Nathaniel Gow's Sixth Collection (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "Dowd's Favorite (1)," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality.
Sources for notated versions: Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson].
Printed sources:
Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 6), 1803; No. 91, p. 35.
Cole (1000 Fiddle Tunes), 1940; p. 128.
Cranford (Jerry Holland's Collection of Fiddle Tunes), 1995; No. 187, p. 53.
Gow (Sixth Collection of Strathspeys, Reels and Slow Tunes), 1822; p. 27.
Hardie (Caledonian Companion), 1992; p. 85.
Henderson (Flowers of Scottish Melody), 1935; no. 21, p. 8.
Howe (1000 Jigs and Reels), c. 1867; p. 134.
McFadyen (Repository of Scots and Irish Airs, vol. 1), c. 1795.
O'Farrell (Pocket Companion, vol. 2), c. 1806; p. 140 (appears as "Braes of Busbie").
Ryan's Mammoth Collection, 1883; p. 167 (strathspey setting).
Recorded sources: Alia Vox AVSA 9878, Jordi Savall - "The Celtic Viol. II" (2010). Jerry O'Sullivan – "O'Sullivan meets O'Farrell" (2005).