Annotation:Breeches Loose (2): Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
=='''Back to [[{{BASEPAGENAME}}]]'''== | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," obviously a companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more. | '''BREECHES LOOSE [2]'''. AKA and see "[[All Alive (1)]]," "[[Breeches Maker (The)]]," "[[Northumberland Lady]]." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's '''Choice Collection of 200 Favourite Country Dances''', vol. 5 (London, 1750), and then in David Rutherford's '''Compleat Collection of 200 of the Most Celebrated Country Dances''' (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his '''Recueil de Contradances Angloises''' (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "[[Petticoat Loose (3)]]," obviously a companion tune. See also note for "[[annotation:Old Grey Goose (1)]]" for more. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances''', vol. 1), 1757; No. 198. | ''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances''', vol. 1), 1757; No. 198. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Revision as of 11:46, 6 May 2019
Back to Breeches Loose (2)
BREECHES LOOSE [2]. AKA and see "All Alive (1)," "Breeches Maker (The)," "Northumberland Lady." English, Jig. G Minor. Standard tuning (fiddle). AABB. The melody was first published in John Johnson's Choice Collection of 200 Favourite Country Dances, vol. 5 (London, 1750), and then in David Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances (London, 1756). Across the Channel, the melody was picked up by Benoit Andrez for his Recueil de Contradances Angloises (Liege, c. 1780). "Breeches Loose" appears on the same page in Thompson's (1757) collection as the jig "Petticoat Loose (3)," obviously a companion tune. See also note for "annotation:Old Grey Goose (1)" for more.
Source for notated version:
Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 198.
Recorded sources: