Annotation:Doran's Ass: Difference between revisions
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'''DORAN'S ASS'''. AKA and see "[[Finnegan's Wake (2)]]?," "[[Paddy Doyle's Ass]]." American, March or Reel. USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. According to Bayard (1981) the title is the one the tune is most commonly known by, and comes from a "stage Irish" song (known in Pennsylvania as a folk song, "Dolan's Ass"). The polka also forms part of the Irish quadrille "[[Off to Skelligs--2nd Figure]]." | '''DORAN'S ASS'''. AKA and see "[[Finnegan's Wake (2)]]?," "[[Paddy Doyle's Ass]]." American, March or Reel. USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. According to Bayard (1981) the title is the one the tune is most commonly known by, and comes from a "stage Irish" song (known in Pennsylvania as a folk song, "Dolan's Ass"). The polka also forms part of the Irish quadrille "[[Off to Skelligs--2nd Figure]]." | ||
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''Source for notated version'': Hiram Horner (fifer from Fayette/Westmoreland Counties, Pa., 1944, who learned it from Scots fifer David P. Henderson) [Bayard]. | ''Source for notated version'': Hiram Horner (fifer from Fayette/Westmoreland Counties, Pa., 1944, who learned it from Scots fifer David P. Henderson) [Bayard]. | ||
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''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 276, pp. 231-232. | ''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 276, pp. 231-232. | ||
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Revision as of 13:14, 6 May 2019
Back to Doran's Ass
DORAN'S ASS. AKA and see "Finnegan's Wake (2)?," "Paddy Doyle's Ass." American, March or Reel. USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. According to Bayard (1981) the title is the one the tune is most commonly known by, and comes from a "stage Irish" song (known in Pennsylvania as a folk song, "Dolan's Ass"). The polka also forms part of the Irish quadrille "Off to Skelligs--2nd Figure."
Source for notated version: Hiram Horner (fifer from Fayette/Westmoreland Counties, Pa., 1944, who learned it from Scots fifer David P. Henderson) [Bayard].
Printed sources: Bayard (Dance to the Fiddle), 1981; No. 276, pp. 231-232.
Recorded sources: