Annotation:Molly on the Shore (2): Difference between revisions

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'''MOLLY ON THE SHORE [2].''' Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Composed by County Cavan/Philadelphia fiddle player and composer Ed Reavy (1898-1988). Reavy rewrote the first two parts of the tune and added an original third part. However, like the Rowsome settings (see "[[Molly on the Shore (1)]]" and Connolly/Martin version, Reavy's is a reworking of the Stanford/Petrie tunes "[[Temple Hill]]" and "[[Molly on the Shore]]," albeit more of the former than the latter (as Paul De Grae points out).  
'''MOLLY ON THE SHORE [2].''' Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Composed by County Cavan/Philadelphia fiddle player and composer Ed Reavy (1898-1988). Reavy rewrote the first two parts of the tune and added an original third part. However, like the Rowsome settings (see "[[Molly on the Shore (1)]]" and Connolly/Martin version, Reavy's is a reworking of the Stanford/Petrie tunes "[[Temple Hill]]" and "[[Molly on the Shore]]," albeit more of the former than the latter (as Paul De Grae points out).  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Reavy ('''The Collected Compositions of Ed Reavy'''), No. 53, p. 55.  
''Printed sources'': Reavy ('''The Collected Compositions of Ed Reavy'''), No. 53, p. 55.  
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Revision as of 14:24, 6 May 2019

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MOLLY ON THE SHORE [2]. Irish, Reel. G Major. Standard tuning (fiddle). ABCD. Composed by County Cavan/Philadelphia fiddle player and composer Ed Reavy (1898-1988). Reavy rewrote the first two parts of the tune and added an original third part. However, like the Rowsome settings (see "Molly on the Shore (1)" and Connolly/Martin version, Reavy's is a reworking of the Stanford/Petrie tunes "Temple Hill" and "Molly on the Shore," albeit more of the former than the latter (as Paul De Grae points out).

Source for notated version:

Printed sources: Reavy (The Collected Compositions of Ed Reavy), No. 53, p. 55.

Recorded sources:




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