Annotation:Salt Creek (1): Difference between revisions
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<p><font face=" | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - Henley Dykes (1920-1995, Greene County, Mo.) [Beisswenger & McCann]. | <font color=red>''Source for notated version''</font>: - Henley Dykes (1920-1995, Greene County, Mo.) [Beisswenger & McCann]. | ||
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<font color=red>''Printed sources''</font> : - Beisswenger & McCann ('''Ozarks Fiddle Tunes'''), 2008; p. 183. Lowinger ('''Bluegrass Fiddle'''), 1974; p. 15. | <font color=red>''Printed sources''</font> : - Beisswenger & McCann ('''Ozarks Fiddle Tunes'''), 2008; p. 183. Lowinger ('''Bluegrass Fiddle'''), 1974; p. 15. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - Musical Traditions MTCD321-2, Dent Wimmer (et al) – “Far in the Mountains, vols. 1 & 2” (2002). Rounder FHR-017, Michael & McCreesh - "Dance, Like a Wave of the Sea" (1978). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Musical Traditions MTCD321-2, Dent Wimmer (et al) – “Far in the Mountains, vols. 1 & 2” (2002). Rounder FHR-017, Michael & McCreesh - "Dance, Like a Wave of the Sea" (1978). </font> | ||
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Revision as of 20:01, 6 May 2019
X: 1 T: Salt Creek [1] C: Traditional S: MandoZine TablEdit Archives S: http://www.mandozine.com/music/tabledit_files/SaltCreek3-A-Trad.tef Z: TablEdited by Mike Stangeland for MandoZine L: 1/8 M: C| K: Amix "A"A2 AA A2 AB | "A"cA Bc "D"d2 A2 | "G"BA =GA BA =GA | "G"BA =GF "E"E2 E2 | "A"A2 AA A2 AB | "A"cA Bc "D"d2 ed | "G"ce fg af ed | "E"cA Bc "A"A4 :| |: "A"a2 aa a2 ab | c'e be ab ae | "G"=ga =gf ef =ga | =gf ed cB A2 | "A"a2 aa a2 ab | c'e be ab ae | "G"=ga =gf ef ed | "E"cA Bc "A"A4 :|
Alan Jabbour suggests that Monroe changed the title because “Salt Creek” was the name of a stream that ran by his Bean Blossom Festival site. He believes Monroe learned the tune from banjoist Don Stover (who knew it as “Salt River”). As “Salt River” it had been recorded for Brunswick by the Kessinger Brothers in 1929. Hobart Smith called the tune “Pateroller,” although this is not the tune that usually goes by the name of “Pateroller,” “Pateroller Song (The),” or “Run Johnny Run (1)” and variants. Drew Beisswenger (2008) points out that the names “Salt River” and “Salt Creek” are fairly interchangeable in the tradition, with bluegrass musicians tending to favor “Salt Creek.”