Annotation:Braes of Bushbie (2): Difference between revisions
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'''BRAES OF BUSHBIE [2]'''. AKA – "Breeze of Busbey (The)," "Braes of Busbie." AKA and see "[[Duke of Sutherland's March]]." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his '''Collection''' (1789). A note in Nathaniel Gow's '''Sixth Collection''' (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "[[Dowd's Favorite (1)]]," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality. | |||
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''Sources for notated versions'': Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson]. | <p><font face="Century Gothic" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Sources for notated versions''</font>: - Cape Breton strathspey setting is from fiddler Bill Lamey via Jerry Holland (Inverness, Cape Breton) [Cranford]; McFadyen's Repository (1795) [Henderson]. | |||
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''Printed sources'': | <font color=red>''Printed sources''</font> : - Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 6'''), 1803; No. 91, p. 35. | ||
Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 6'''), 1803; No. 91, p. 35. | |||
Cole ('''1000 Fiddle Tunes'''), 1940; p. 128. | Cole ('''1000 Fiddle Tunes'''), 1940; p. 128. | ||
Cranford ('''Jerry Holland's Collection of Fiddle Tunes'''), 1995; No. 187, p. 53. | Cranford ('''Jerry Holland's Collection of Fiddle Tunes'''), 1995; No. 187, p. 53. | ||
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''Recorded sources'': | <font color=red>''Recorded sources'': </font> <font color=teal> -Alia Vox AVSA 9878, Jordi Savall - "The Celtic Viol. II" (2010). | ||
<font color=teal> | Jerry O'Sullivan – "O'Sullivan meets O'Farrell" (2005). | ||
Alia Vox AVSA 9878, Jordi Savall - "The Celtic Viol. II" (2010). | </font> | ||
Jerry O'Sullivan – "O'Sullivan meets O'Farrell" (2005).</font> | |||
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Revision as of 05:41, 18 February 2020
X:1 T:Braes of Bushbie [2], The M:C| L:1/16 R:Strathspey B:John Bowie - "A Collection of Strathspey Reels and Country Dances &c." (c. 1789, p. 5) F:https://tunearch.org/w/index.php?title=Braes_of_Bushbie_(2)&action=formedit Z:AK/Fiddler's Companion K:Gdor V:1 F2|DG3G3A B3AG3F|CF3F3G A2c2{B}A2(GF)|G3AB3c {Bc}d3cBd3|cBAG F3A B2(G2G2):| A2|B3cd2B2 f2B2d2B2|A2c2f2d2 c2A2F2A2|B3cd2B2 f2B2d2B2|cA3F3A B2G2G2:| |:f2|g4 d3g (d2ga) b3g|f4 c2f2 (c2fg) a3f|g4 dg3 d3cBd3|cBAG F3A B3GG2:| A2|Bd3GB3 G2Bc d2B2|Ac3FA3 F2AB c2A2|Bd3GB3 G2Bc d2B2|cA3F3A B2G2G2A2| Bd3GB3 G2Bc d2B2|Ac3FA3 F2AB c2A2|B3dfb3 fd3B2d2|cBAG F3A B2G2G2|| V:2 clef = bass z2|z4 G,4G,4G,4|z4 F,4F,4F,4|z4G,4G,4G,4|F,4F,4G,4z2:| |:z2|B,4B,4B,4B,4|F,4F,4F,4F,4|B,,4B,,4B,,4B,,4|F,4F,4G,4z2:| |:z2|B,4B,4G,4G,4|A,4A,4F,4F,4|B,4B,4B,4G,4|A,4F,4G,4z2:| z2|G,4G,4[G,4B,4][G,4G,4]|F,4[F,4C4]F,4F,4|G,4G,4[G,4B,4][G,4B,4]|F,4F,4G,4z4| G,4G,4[G,4B,4][G,4G,4]|F,4[F,4C4]F,4F,4|B,4B,4B,4B,4|F,4F,4G,4G,,2||
BRAES OF BUSHBIE [2]. AKA – "Breeze of Busbey (The)," "Braes of Busbie." AKA and see "Duke of Sutherland's March." Scottish, Slow March (4/4 time) or Strathspey. A Dorian (Aird, O'Farrell): G Minor (Cole, Hardie): G Dorian (Cranford). Standard tuning (fiddle). ABC (Cole, Hardy): AABBCC (O'Farrell): ABABCCD (Howe): AABBCCD (Cranford). In lowland Scots dialect, a brae is a hillside. Busby is a district in Renfrewshire, Scotland. The melody may have been composed by John Bowie, and first appears in his Collection (1789). A note in Nathaniel Gow's Sixth Collection (1822) says that it was favorite of Niel Gow's, and that it is "Old". Reworked as "Dowd's Favorite (1)," the tune is played as a reel and was famously recorded by Sligo/New York City fiddler Michael Coleman. Piper Willie Clancy had a reel time setting of the tune, called "Braes of Busby," in a major tonality.