Annotation:Pantomime Reel (2): Difference between revisions

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|f_annotation='''PANTOMIME REEL.''' AKA and see “[[Kildare Fancy]],” “[[Paine’s Reel]].” American, Reel. F Major. Standard tuning (fiddle). AABB. A member of the large “[[Dundee Hornpipe]],” “[[Duxbury Hornpipe]],” “[[Union Hornpipe (3)]]” etc. family of hornpipe tunes. "Pantomime Reel" is Ryan's title for the tune, however, as with many hornpipes its provenance is complicated, and there are versions from England, Ireland and Scotland as well. It appears, for example, as an untitled hornpipe in the c. 1880 music manuscript of George H. Watson, of Swanton Abbot, Norfolk (No. 75 in the ms.).
'''PANTOMIME REEL.''' AKA and see “[[Kildare Fancy]],” “[[Paine’s Reel]].” American, Reel. F Major. Standard tuning (fiddle). AABB. A member of the large “[[Dundee Hornpipe]],” “[[Duxbury Hornpipe]],” “[[Union Hornpipe (3)]]” etc. family of hornpipe tunes.  
|f_source_for_notated_version=
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|f_printed_sources=Cole ('''1000 Fiddle Tunes'''), 1940; p. 23. '''Ryan’s Mammoth Collection''', 1883; p. 48.  
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|f_recorded_sources=
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''Source for notated version'':
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''Printed sources'': Cole ('''1000 Fiddle Tunes'''), 1940; p. 23. '''Ryan’s Mammoth Collection''', 1883; p. 48.  
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''Recorded sources'': <font color=teal></font>
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Revision as of 00:52, 23 June 2020



X:1 T:Pantomime Reel [2] M:2/4 L:1/8 R:Reel S:Ryan’s Mammoth Collection (1883) Z:AK/Fiddler’s Companion K:F (A/B/) | c/A/F/A/ c/A/f/d/ | c/f/A/c/ a/g/f/e/ | f/g/c/g/ b/a/g/f/ | (3g/f/e/ (3f/e/d/ .c(A/B/) | c/A/F/A/ c/A/f/d/ | c/f/A/c/ a/g/f/e/ | f/g/c/g/ b/a/g/e/ | faf :| |: (f/g/) | .a/.f/ (g/4f/4e/4/f/4) d/f/c/f/ | A/c/f/c/ .a(f/e/f/) | g/c/a/c/ b/c/a/c/ | {a}g/f/e/d/ .c(f/g/) | .a/.f/ (g/4f/4e/4/f/4) d/f/c/f/ | A/c/f/c/ .a(f/e/f/) | g/c/a/c/ b/c/a/c/ | {a}g/c/d/e/ f :|]



PANTOMIME REEL. AKA and see “Kildare Fancy,” “Paine’s Reel.” American, Reel. F Major. Standard tuning (fiddle). AABB. A member of the large “Dundee Hornpipe,” “Duxbury Hornpipe,” “Union Hornpipe (3)” etc. family of hornpipe tunes. "Pantomime Reel" is Ryan's title for the tune, however, as with many hornpipes its provenance is complicated, and there are versions from England, Ireland and Scotland as well. It appears, for example, as an untitled hornpipe in the c. 1880 music manuscript of George H. Watson, of Swanton Abbot, Norfolk (No. 75 in the ms.).


Additional notes



Printed sources : - Cole (1000 Fiddle Tunes), 1940; p. 23. Ryan’s Mammoth Collection, 1883; p. 48.






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